From The TEMPO
Cantor Friedman's regular contributions to our Temple bulletin.
September 2009
LIVING TESHUVAH
At this time in the Jewish calendar, we enter a period of introspection, taking stock of our lives, considering the changes we should undertake that would align our values and our actions, and thus bring us closer to God and to one another.
According to the Talmud with regard to the Book of Life, four things will cause God to tear up (ma’akirin) the decree of judgment which has been issued against a person: acts of righteousness, fervent prayer, changing one’s name, and changing one’s behavior. We see echoes of this in the High Holy Day prayer, Una Tane Tokef, which states that on Rosh Hashanah “it is written, and on Yom Kippur it is sealed,…but repentance, prayer, and righteous deeds can transform (ma’avirin) the evil of the decree.”
Whether one actually believes that the Book of Life exists, the concept of Teshuvah – repentance, turning, and returning is connected to transformation. From the first blast of the Shofar on the first day of the month of Elul, we are called upon to look inward, to return to our best and highest selves, seek forgiveness of ourselves and others, and renew our connection to God.
There are two changes that I have been thinking about for quite some time, changes that will help me lead a more meaningful life.
For me personally, Teshuvah includes changing my last name from Merel to Friedman-Hurwitz. According to Maimonides, the great 12th century Jewish philosopher, changing one’s name is a way to repentance is “as if to say: I am another, and am not the same person who did those deeds.” I am different, I am transformed. Similarly if we look at instances of name changes in the Torah: Avram to Abraham, Sarai to Sarah, and Jacob to Yisraeil, they all involved major transformation.
During this coming year, there are changes in my role as cantor at Temple Sinai. I will be working a reduced schedule of 30 hours but will still be involved in teaching our B’nei Mitzvah students, leading worship services, officiating at life cycle events, working with our Adult Choir, visiting the sick, comforting the bereaved and connecting with various congregants at meetings or other temple activities. Helping out with some services and our confirmation class will be Cantor Josee Wolff, who is currently the Director of Student Placement and an adjunct faculty member at the School of Sacred Music, Hebrew Union College-Jewish Institute of Religion in New York. She has served various Reform congregations in the U.S. and Europe for the past 15 years, and has also substituted for me in the past at Temple Sinai. Cantor Wolff has also co-authored The Art of Torah Cantillation, and the Art of Cantillation, volume 2 which we have used at Temple Sinai. In addition to Cantor Wolff, student cantor and teacher Kathy Gohr will be working with our Intergenerational Choir.
Another key part of transformation includes forgiveness. Asking forgiveness of others and ourselves with compassion and honest communication cleanses us and changes us. So if I have offended or hurt any of you this past year, I ask forgiveness.
May you and your families experience Teshuvah and renew yourselves through prayer, righteous actions, and turning towards God and others!
May 2009
WHAT IS CONTEMPORARY JEWISH MUSIC?
Temple Sinai’s Adult Choir will present contemporary settings of both secular and liturgical Jewish music during our Erev Shabbat service on June 5th at 7:30 pm. By contemporary, I’m referring to music written or arranged in the latter half of the 20th century through the present day. Jewish music is a mirror of the Jewish past and our people’s wanderings throughout the world. Jewish music is both a microcosm of the music from specific times and places in our history and a macrocosm of the music encapsulating all of Jewish history.
What is fascinating to me is that contemporary Jewish music continues to use older stylistic elements of Jewish music in modern settings. Layers upon layers have been added starting with Biblical cantillation, nusach (prayer mode), chazzanut (florid and improvised style), Ashkenazic, Sephardic, Chassidic, and American folk melodies. For example, composer Ben Steinberg’s V’ahavta combines elements of Biblical cantillation as well as western harmony. Cantor Charles Davidson’s V’shamru employs a Chasidic style and modern harmony. Cantor Robbie Solomon uses nusach, as well as chazzanut in his rousing setting of Yism’chu. The birth of the State of Israel has created an abundance of Israeli music about the struggles and yearnings for peace. Modern poetry, such as Leah Goldberg’s Lamdeini, inspired Cantor Benjie Schiller to compose a setting of this beautiful text.
Come celebrate Shabbat and explore the world of contemporary Jewish music during our service on June 5th.
March 2009
PASSOVER MEMORIES
So many of my favorite memories from childhood involve being with my large extended family at our Passover Seders. I remember the special foods and their smells that permeated my family’s kitchen. I remember the special prayers and melodies we sang around the table 40 years ago as well as new melodies recently introduced and sung by my younger cousins. As we grow and our families change and blend, it is up to each us to continue to be part of the link that keeps these melodies alive.
One of the melodies and prayers that instantly remind me of Passover is Adir Hu - God is mighty. An unknown poet wrote this hymn, an alphabetic acrostic, in the 6th- 7th century. Though the melody has gone through several changes over the years, the earliest existing music is found in the 1644 “Rittangel Hagada.” This same melody is sung today and is often adapted to Mi Chamocha during services during Passover.
The melody that is used for the Passover Kiddush and other b’rachot (blessings) is based on the Nusach (prayer motifs) for Shalosh R’galim – the Three Pilgramage Festivals: Sukkot, Pesach, and Shavuot. The Passover Kiddush sounds different from the Shabbat Kiddush or the Rosh Hashana Kiddush. The music gives you a taste of the holiday and just by listening you are tuned into the uniqueness of the holiday. Who can imagine a Seder without singing Dayeinu – it would have been enough. The sources I checked gave vague answers as to origins of this melody. One source said the melody is a thousand years old, another labeled it “an Israeli melody” and another labeled it a “traditional melody.”
So this year as you celebrate the Exodus from Egypt and celebrate freedom, pass on the “traditional” or special melodies and prayers from your childhood Seders that remind you of your heritage and of this special time year. May you have a sweet Passover!
Cantor Merel wishes to express her appreciation and thanks for all those congregants who donated to The Tribute Fund in honor of her daughter’s engagement.
January 2009
FEELING JOY IN 2009
I originally thought I would entitle this article “Finding Joy in the Secular New Year,” and then thought that it was more important to get to the result of actually feeling joy. This joy has to be precipitated by thinking about what really brings us joy during these challenging times. It means stepping back and taking a fresh look at how you spend your time and which things you do that are both meaningful and joyful and perhaps not costly. Can you identify those moments you feel joyful? Is it being surrounded by family and really listening to what they have to say? Is it cooking and sharing a meal with close friends? Is it seeing the wonder and discovery and growth of your children? Is the Temple Sinai community comforting during a time of mourning or illness? Does it know that you are not alone to face the ups and downs on the journey of this life? Is it noticing the phases of the moon and the fact that the Jewish calendar is tied to the lunar calendar? Is it holding the hand of your spouse or child? Is it hiking in the woods during the height of the colorful leaves in autumn? Is it entering your apartment or house and being thankful that you have a place you call “home?”
The ancient world of Plato and Aristotle believed in the power of music to affect our thoughts and behavior. The Greek doctrine of ethos was based on the notion that music affects character. I can feel joy while singing some liturgical or secular music, while conducting or singing with our choirs, and while praying with a community. Singing or listening to music, whether in communal worship or a choir, can bring joyful moments. Singing forces us to breathe, let go of tensions, express our emotions, and listen. Music and prayer have the power to heal. As you create vocalized sound, you have the opportunity to reinterpret and recreate the music in the moment.
So I encourage you to be open to feeling joy. Communal worship and/or singing in a choir gives you the opportunity to create a sacred space in time and the realization that you are not alone in walking the ups and downs of life. So carve out time to celebrate Shabbat and “refresh” yourself by coming to Shabbat services, joining one of our choirs, and meeting new people from the Temple Sinai community. Take the time to plan and create joyful and meaningful moments in your life. The Adult Choir rehearses on Wednesday evening from 7:45-9:15pm and the Intergenerational Choir rehearses on Sundays from 10:30-11:00am. I guarantee that you will have fun in these choirs. For a detailed schedule, for more information, check our temple’s website or contact me at Cantor@templesinainj.org.
September 2008
Jerusalem – Summer, 2008
I experienced life in Jerusalem for five weeks this summer. My two apartments were in a neighborhood called Rehavia. I chose this area because it was centrally located and I was within walking distance to such places as The Old City, the pedestrian walkway of Ben Yehuda Street, The Great Synagogue, the Jerusalem Theater (major performing arts center), the Israel Museum, Liberty Park (Gan Paamon), the Conservative Yeshiva, the King David Hotel, the architecturally interesting and famous YMCA, and the open market (the Shuk). One of the apartments was located across the street from former Prime Minister, Benyamin Netanyahu as well as near the residence of Prime Minister Olmert.
For three weeks, 5 mornings a week, 3 hours a day, I attended conversational Hebrew classes at The Conservative Yeshiva. There were a total of about 100 people from all over the world studying at the Yeshiva. My particular class was made up of 10 diversified people – such as a New York City family court judge, a college senior, a rabbinical student, an English professor, and a prep school principal. The entire 3 hours were spent immersed in the Hebrew language – grammar and definitions were explained in Hebrew, literature from our text was discussed in Hebrew, and philosophical discussions about the literature or Israel’s socio-economic and political problems were discussed in Hebrew. We read, studied, and listened to the lyrics and music of Israeli songs. My dynamic teacher would always begin each class by asking what we had experienced the night before and often this became a way to learn about cultural happenings in Jerusalem as well as another opportunity to learn new Hebrew words. Sometimes our discussions led to spontaneous walks to explore a site that someone had talked about.
Celebrating Shabbat in Jersusalem was a unique experience. After the frantic preparations for Shabbat, there is a gradual hush that comes over the city. Public buses stop running and the number of cars greatly decreases. In the summer, most stores, restaurants, and offices close between 2 and 4 pm and do not reopen until an hour after Shabbat ends which could be as late as 9:30 pm. You see many people walking to synagogues and communal dinners celebrating Shabbat. Most everyone, both secular and religious Jews, wish each other Shabbat Shalom. I was able to walk to the five different synagogues that I attended while living in Jerusalem.
I did have additional exciting experiences traveling outside Jerusalem to places such as Petra, Kibbutz Ein Gedi, and Kibbutz Hazerim (where I had previously lived in 1971). I do not have the space here to write about it all, but want to encourage you to ask questions about my visit.
I want to thank Temple Sinai for the gift of my sabbatical and the opportunity to live in Jerusalem.May/June, 2008
MUSICAL HAPPENINGS
Temple Sinai is blessed to have two dedicated and active volunteer choirs that beautify our worship and other special musical programs with their singing. Most recently, our Adult Choir performed at the annual choral festival sponsored by our URJ New Jersey-West Hudson Valley Region. Our choir was one of 14 other participating choirs and made Temple Sinai proud with their inspiring and enthusiastic performance of three Israeli songs.
On Friday, May 2, in addition to our Intergenerational Choir’s participation during our Shabbat service, several of Temple Sinai’s teens will present music by Jewish Broadway composers. This annual Broadway Shabbat will include music performed by Sophie Blumert, Nicole Bodin, Alyssa Fine, Molly Leighton, Sasha Nussbaum, Emily Porter, and Arielle Wortzel.
During our Shabbat service on Friday, May 9, in honor of Israel’s 60th anniversary, our Adult Choir will present a collection of Israeli songs, including the familiar love song, Erev Shel Shoshanim as well as HaKotel, the wall, a stirring text and melody written after the six day war.
Both choirs offer opportunities to meet new people, learn new music, learn about specific prayers, and have fun! During the school year, the Intergenerational Choir rehearses on Sunday mornings from 10:30-11am and sings once a month during services. Our Adult Choir rehearses on Wednesday evenings from 7:45-9:15pm and sings during services and special music programs. Please let me know if you’re interested in joining either of our choirs in the fall.
I want to again take this opportunity to thank both choirs for donating their time and talents to our synagogue’s music programs!
January/February, 2008
2008 WELCOMES NEW REFORM PRAYERBOOK AT TEMPLE SINAI
During the last few years our services have included the use of multiple prayer books. On alternate Friday night services, we have used either Kabbalat Shabbat or Shir Chadash, both of which are our own creative liturgies; during the Saturday early morning Sharing Shabbat service, we have used a draft of the new Reform prayer book, Mishkan T’filah, and during the B’nei Mitzvah services we have used the Reform movement’s prayer book, Gates of Prayer. Beginning on January 4, we will be praying from Mishkan T’filah during all of our Friday night, Saturday Sharing Shabbat services, and Festival services.
Click here for this complete article (PDF 9K)
November/December, 2007
Community, Light, and Freedom, Temple Sinai Community Celebration of Chanukah, Friday, December 7, 2007, 7:00 pm
The Nadler Fund for Jewish Education has sponsored Temple Sinai’s annual Chanukah celebration for many years. The Nadler Family Foundation’s vision is to bring together our multi-generational community, while enriching and educating the community via special musical presentations. This year, our celebration will take place on Friday, December 7th, at 7:00 pm. Temple Sinai’s two choirs, Temple Sinai Rocks – our teen band, pianist Nancy Haimi-Cohen, guitarist Dr. Rob Wortzel, and bassist Clive Smith all are participating. The festivities will include special readings led by congregants on the theme of community, light, and freedom. Please save the date to join me in keeping alive the vision of Paul Nadler.
September/October, 2007
"HINENI – HERE I AM, EIFO ATAH – WHERE ARE YOU"
Life is a sacred pilgrimage – a sacred journey. During these High Holy Days, we join together with the Temple Sinai community, friends, family, and with Jews all over the world praying the same ancient liturgy and observing the Jewish New Year. As individuals, our sacred journey leads us to look inside ourselves to do a chesbon hanefesh – an accounting of the soul. It is as if God created these High Holy Days so that we have the space or permission to take the time and slow down to look within ourselves. Rosh Hashanah is also called Yom Hazikaron – the Day of Remembrance as well as Yom T’ruah – The Day of the Shofar Blast.
Click here for this complete article (PDF 6K)
November/December, 2006
“Why I Need Shabbat In My Life?”
I need Shabbat in my life so that I remember to pause and step back from the hectic pace of everyday life. Shabbat is like a weekly mini vacation that gives me the permission to retreat from my normal routines and to refresh my soul. As I slow down my racing mind and body, there is a clearing for me to see things in a new light and to be more open and present to my experiences. Just as I prepare for a vacation, I prepare for Shabbat by making sure that I have Challah and wine and that my table is set in the dining room and not the kitchen. I prepare by knowing, that even when I am not leading services, I am celebrating Shabbat at home with my family ...
Click here for this complete article (PDF 6K)
September/October, 2006
Jewish Meditation – Are You Interested?
In Alan Lew’s book, “Be Still and Get Going,” he states that mediation has many different meanings depending on whom you ask, “ but that is also always one thing. Mediation is always becoming. Meditation is always transformation. Meditation always moves us from one place to another; from unconsciousness to awareness, from tension to relaxation, from being scattered to being centered, from a shallow relationship with our environment and ourselves to a deeper one, from sleep to wakefulness, from a sense of God’s presence to the sense that God was in this place all along and I didn’t know it.” ...
Click here for this complete article (PDF 5K)
May/June 2006
"A Personal Journey Towards Kashrut – Keeping a Kosher Home"
Keeping a Kosher home is relatively new for me and I view this as a journey, as I still consider myself a novice in learning, understanding, and practicing the laws of Kashrut. I want to share with you some basics of Kashrut, my reasons for keeping a Kosher home, and the challenges and joys of doing so...
Click here for this complete article (PDF 10K)
March/April 2006
"The Sacred Journey of Becoming a Bar/Bat Mitzvah"
Like looking at a text of Torah, there are many different levels of looking at the meaning of becoming a Bar/Bat Mitzvah. Simplistically, the Bar/Bat Mitzvah marks the day a child becomes a Jewish adult, and celebrates this rite of passage publicly in front of the the congregation. Today, at Temple Sinai, the child recites the blessings before and after the Torah, chants some verses from the Torah, recites the Haftarah blessings, chant some verses of Haftarah, leads other prayers during the service and delivers a d’var Torah. On another level, the child is stating that he/she is now responsible for carrying out the Mitzvot, which is signified by the wearing of a Tallit. BUT BAR/BAT IS MORE THAN THIS ONE DAY OF CELEBRATION. BECOMING A BAR/BAT MITZVAH IS A CONTINUOUS PROCESS ON THE SACRED JOURNEY OF JEWISH ADULTHOOD. Participation in confirmation and Temple Sinai’s Hebrew High School is one part of this journey...
Click here for this complete article (PDF 8K)
January/February 2006
"Celebrating Our Victory of Long Ago….."
Shabbat Shirah, the Sabbath of Song, is the Shabbat when we read Parashat Beshalach (Exodus 13:17-17:16). We chant Shirat Hayam – the Song at the Sea, which is written in poetic form, and celebrates the victory of Moses and Miriam and the Jewish people as they escape Pharaoh’s army and safely cross the Red Sea...
Click here for this complete article (PDF 5k)














